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Ethos “Open Talks” Series Part 3 – live from the Virtual Classroom

Are you interested in developing your talents and skills in music for multimedia, while working with Hollywood professionals? Join us live in the Virtual Classroom and see what we have to offer in the Ethos online learning method - it's "live" and interactive. For the this last week, on Friday, from 19h30 - 21h00 (CET), Ethos will "open the […]

Free

Orchestration – Music Preparation: Marcus Sjöwall

Aligned with the Ethos course integration, Marcus Sjöwall & Michael Lloyd’s music preparation class works in collaboration with Chris Young’s INTENSIVE ARTS course, on the feature film, “The Uninvited”, and in music for television, with Mike Simon’s class on “Once Upon A Time”, and Philip White’s work on “Revolution”. From midi to the scoring stage […]

Music for Television: Mike Simon

This course in Music for Television combines aspects of acoustic & electronic instruments, working with DAWs and live ensembles to deliver an immersive experience in music composition & production for episodic television. Writing music for episodic television is often very fast paced due to the tight deadlines and large amounts of music required. While your […]

Film Music Composition (1) Melody Writing – Main Titles: Christopher Young

The core objectives of the course are threefold: (1) to demonstrate the importance of melody and improve the students’ ability to write memorably melodies in song form, (2) to pass on knowledge of useful techniques and devices for scoring horror, thriller, and suspense films (HTS), through discussion and analysis of an entire feature film, and […]

Film Music 101: Daniel Wehr

This course takes an in-depth look into the magical bond between music and image. The established film composer as well as newcomers will greatly benefit from exploring the important picture-music relationship and its basic language. Music in conjunction with pictures is a powerful tool! Every film composer should be very aware of his possibilities to […]

Sync. Streamers & Protools Delivery

Synchronization takes many forms throughout the scoring process, each with its own pitfalls. And in a fixed medium like film or television, even the most masterfully composed and produced score can fail completely if it doesn’t fit to picture. How do we produce a score from beginning to end, navigating a maze of competing standards, […]

Music for Video Games: Jesse Harlin

This comprehensive course explores a variety of topics, including; the history of game music, composing and editing loops, working with game audio and engines, adaptive music, and lessons in building a demo reel you can pitch to publishers, agents and audio leads.

Composition for Film (2) Techniques for Scoring Horror-Thriller-Suspense Genres with Christopher Young

This 5-week course focuses on how scenes from an H-T-S film can be broken down into 1 of 10 categories. Each category will be broken down and analyzed, discussing useful techniques to successfully score these types of scenes. Clips will be drawn from Chris’ body of work and analyzed for applicable musical and structural features. Special Project: Scoring […]

Music for Video Games: Jesse Harlin

This comprehensive course explores a variety of topics, including; the history of game music, composing and editing loops, working with game audio and engines, adaptive music, and lessons in building a demo reel you can pitch to publishers, agents and audio leads.

Music for Television: Mike Simon

This course in Music for Television combines aspects of acoustic & electronic instruments, working with DAWs and live ensembles to deliver an immersive experience in music composition & production for episodic television. Writing music for episodic television is often very fast paced due to the tight deadlines and large amounts of music required. While your […]

Music for Video Games: Jesse Harlin

This comprehensive course explores a variety of topics, including; the history of game music, composing and editing loops, working with game audio and engines, adaptive music, and lessons in building a demo reel you can pitch to publishers, agents and audio leads.

Ethos “Open Talks” Series – live from the Virtual Classroom

Are you interested in developing your talents and skills in music for multimedia, while working with Hollywood professionals? Join us live in the Virtual Classroom and see what we have to offer in the Ethos online learning method - it's "live" and interactive. For the this week, on Friday, from 19h30 - 21h00 (CET), Ethos will "open the house" […]

Free

Ethos “Open Talks” Series – live from the Virtual Classroom

Are you interested in developing your talents and skills in music for multimedia, while working with Hollywood professionals? Join us live in the Virtual Classroom and see what we have to offer in the Ethos online learning method - it's "live" and interactive. For the this week, on Friday, from 19h30 - 21h00 (CET), Ethos will "open the house" […]

Free

Orchestration – Music Preparation: Marcus Sjöwall

Aligned with the Ethos course integration, Marcus Sjöwall & Michael Lloyd’s music preparation class works in collaboration with Chris Young’s INTENSIVE ARTS course, on the feature film, “The Uninvited”, and in music for television, with Mike Simon’s class on “Once Upon A Time”, and Philip White’s work on “Revolution”. From midi to the scoring stage […]

Music for Television: Mike Simon

This course in Music for Television combines aspects of acoustic & electronic instruments, working with DAWs and live ensembles to deliver an immersive experience in music composition & production for episodic television. Writing music for episodic television is often very fast paced due to the tight deadlines and large amounts of music required. While your […]

Film Music Composition (1) Melody Writing – Main Titles: Christopher Young

The core objectives of the course are threefold: (1) to demonstrate the importance of melody and improve the students’ ability to write memorably melodies in song form, (2) to pass on knowledge of useful techniques and devices for scoring horror, thriller, and suspense films (HTS), through discussion and analysis of an entire feature film, and […]

Film Music 101: Daniel Wehr

This course takes an in-depth look into the magical bond between music and image. The established film composer as well as newcomers will greatly benefit from exploring the important picture-music relationship and its basic language. Music in conjunction with pictures is a powerful tool! Every film composer should be very aware of his possibilities to […]

Sync. Streamers & Protools Delivery

Synchronization takes many forms throughout the scoring process, each with its own pitfalls. And in a fixed medium like film or television, even the most masterfully composed and produced score can fail completely if it doesn’t fit to picture. How do we produce a score from beginning to end, navigating a maze of competing standards, […]

Music for Video Games: Jesse Harlin

This comprehensive course explores a variety of topics, including; the history of game music, composing and editing loops, working with game audio and engines, adaptive music, and lessons in building a demo reel you can pitch to publishers, agents and audio leads.

Composition for Film (2) Techniques for Scoring Horror-Thriller-Suspense Genres with Christopher Young

This 5-week course focuses on how scenes from an H-T-S film can be broken down into 1 of 10 categories. Each category will be broken down and analyzed, discussing useful techniques to successfully score these types of scenes. Clips will be drawn from Chris’ body of work and analyzed for applicable musical and structural features. Special Project: Scoring […]

Music Libraries in Film, Television and Advertising: Daniel Wehr

Library music, also known as stock music or production music, is the name given to recorded music that can be licensed to customers for use in film, television, radio and other media. In this course the know how, ins and out of library music for reality TV, trailers, award shows and commercials are revealed. We […]