This course takes an in-depth look at music synthesis, in a variety of forms, with practical methods and applications for creating and producing music for multimedia. Lessons and topics include; An Overview of Electronics in Scoring, Practical, musical and dramatic approaches and considerations, An overview of electronics in scoring from the 1940s to the present, The orchestral demo, the hybrid score, the electronic score and everything in between. Working With Sampled Instruments, Approaches for achieving the best sounding orchestral simulations, Making effective and appropriate demos of an ultimately orchestral score, Creating a final “orchestral” score using samples, Working With Sampled Instruments, The Basics of Synthesis, Creating music without significant use of samples or live recording, Special arrangement and mixing considerations, and much more.

Through a series of assignments, students will prepare the raw midi of a cue, orchestrate it, and create professional quality parts. Interspersed with assignment review, examples of ‘before-and-after orchestration’ will be shown and discussed, during which students will gain insight in the significance of a live recording, as well as the process of how to get there.

This course takes an in-depth look into the magical bond between music and image. The established film composer as well as newcomers will greatly benefit from exploring the important picture-music relationship and its basic language.

This comprehensive course explores a variety of topics, including; the history of game music, composing and editing loops, working with game audio and engines, adaptive music, and lessons in building a demo reel you can pitch to publishers, agents and audio leads.

In this course the know how, ins and out of library music for reality TV, trailers, award shows and commercials are revealed. We will simulate real life situations, exploring and writing for diverse libraries. Each lesson focuses on a different library form (from reality TV, trailers, trailer kits to advertisement songs) with lots of practical exercises. There will be plenty of time for feedback and to review material.

Students will learn and develop professional techniques of recording, knowledge of both recording and listening acoustic environments, basic understanding of outboard recording gear, digital workstation basics, and digital and analog signal flow. Students will then be able to create better sounding recordings and also acquire a solid understanding of how to create a better environment for the playback of audio.

Students will learn and develop professional techniques of recording, knowledge of both recording and listening acoustic environments, basic understanding of outboard recording gear, digital workstation basics, and digital and analog signal flow. Students will then be able to create better sounding recordings and also acquire a solid understanding of how to create a better environment for the playback of audio.

Working in a “hands-on” environment, students will compose music for one or more episodes from the television series, Once Upon A Time. Students will also receive practical business advice on television music, job options, and working as an assistant.

Creator of the software program Streamers, Sean Dougall leads a class covering synchronization and delivery from multiple angles, such as working with timecode, aligning to a video reference, and scoring to picture both with and without a click track. We’ll discuss how to prepare and deliver a Pro Tools session that’s clear, optimized for mixing, and ready for any contingency.

In this course the know how, ins and out of library music for reality TV, trailers, award shows and commercials are revealed. We will simulate real life situations, exploring and writing for diverse libraries.

Working in a “hands-on” environment, students will compose music for one or more episodes from the television series, Once Upon A Time. Students will also receive practical business advice on television music, job options, and working as an assistant.

Creator of the software program Streamers, Sean Dougall leads a class covering synchronization and delivery from multiple angles, such as working with timecode, aligning to a video reference, and scoring to picture both with and without a click track. We’ll discuss how to prepare and deliver a Pro Tools session that’s clear, optimized for mixing, and ready for any contingency.

In this course the know how, ins and out of library music for reality TV, trailers, award shows and commercials are revealed. We will simulate real life situations, exploring and writing for diverse libraries.